I guess it’s a mob-themed pose. Leah McSweeney is the founder of Married to the Mob, a women’s streetwear brand. Drea de Matteo’s character was actually married to the mob on The Sopranos. Share via: Facebook X (Twitter) LinkedIn More
When I try to colorize or to remove a color screen, I’m usually dealing with one person and a simple backdrop like a wall or a bedsheet. I sometimes (not always) get it right, and it doesn’t take that long. In contrast, some of these required a lot of work…
The first thing that comes to mind for me are the silicone basketballs on her chest. I liked her better without, and even if she felt sizing up would help her career, those are just ludicrous, IMO. But it was her choice. I guess she knew what she wanted.
I thought that was what he was going for – a clinical look at things that are usually not looked at clinically. But that would require knowing something about art, I suppose, and that leaves me out.
Married to Sly for two years; almost forgot that
Funny, to me that’s the first thing that comes to mind.
The first thing that comes to mind for me are the silicone basketballs on her chest. I liked her better without, and even if she felt sizing up would help her career, those are just ludicrous, IMO. But it was her choice. I guess she knew what she wanted.
It is always better without. Even itty-bitty titties are lovely – I am a fan. Rock what you’ve got.
Likely alone, but I preferred her with her original equipment. She (imho) never got the balance right and they always looked too large for her frame.
Without consulting Gallup, I would submit that is probably the majority opinion.
Except for maybe the Kristine Debell photos, Newton’s stuff was never that hot, very antiseptic
He was not a man known for warmth. That reveals itself in his work – clinical and technically flawless, but without much real humanity.
I thought that was what he was going for – a clinical look at things that are usually not looked at clinically. But that would require knowing something about art, I suppose, and that leaves me out.
I agree with your observation, but join you in artistic ignorance, so perhaps we are both very wrong.
All depended who he shot: Nielsen does nothing for me, but 70s Charlotte Rampling, now we’re talkin’