All comments by Brainscan:
Today’s contribution includes several scenes with a camera that panned the surface of a female star, the simplest of which were of Solene Rigot in Orpheline (2016).
The scenes with Oksana Akinshina in Stilyagi (2008),
Sarah Crawford in Threat of Exposure (2002)
and Stefanie Stppenbeck in Niemand ist eine Insel (2011)
offered unusual challenges well beyond my Photoshop skills. Her co-star’s movement in the Oksana scene makes him look like an alien when all was said and done, even though she looks wonderful; Sarah’s scene (her only one, according to IMDb) was shot through a lace curtain, which played hell with the outcome. Stefanie’s scene was shot with a rapidly moving camera; the result was an in-focus shot of her face but everything else warped by motion blur. Too bad, ‘cuz she is a true MILF.
In addition to those, I stitched together frames for the third of the Brigitte Woellner images from Strike Back (1981). IMDb says this was her only appearance on screen and that seems a tragedy of the first magnitude.
and both of Linnea Quigley’s from Deadly Embrace (1989).
The first of Linnea’s collages may not look as though it was pieced together from several frames but that scene was shot with a lighting source that moved from lower left to upper right, which means each of the twelve parts of that collage was, itself, a montage of three or four frames. Took me an age to complete.