Remember Pumpkin from Honey Boo Boo?
If not, relax. You’re not experiencing a critical memory lapse. Neither do I.
But the point is that she now has an OnlyFans.
Uncle Scoopy's world-weary musings about naked celebrities, sports, humor and other important, manly things.
Remember Pumpkin from Honey Boo Boo?
If not, relax. You’re not experiencing a critical memory lapse. Neither do I.
But the point is that she now has an OnlyFans.
Perhaps the worst from the list – Warren Beatty and Faye Dunaway giving the Oscar to the wrong film.
Apparently Warren was handed the Best Actress envelope, saw the name of “La La Land,” and handed it to Faye, who read it aloud. The poor schmucks from La La Land were already making their acceptance speeches when the error was reported.
New Italian docudrama series on RAI, based on an autobiographical 1953 novel, “Le libere donne di Magliano,” by the psychiatrist Mario Tobino.
Set in Tuscany during the Second World War, it follows psychiatrist Mario Tobino, as he hallenges the repressive rules of a women’s asylum, striving to safeguard the dignity of his patients. Some of the women have found solace in madness as the only form of freedom they can aspire to, while others have been unjustly locked up simply because they dared to assert their free spirit. Mario lives inside the asylum, confronting and sometimes clashing with the differing approaches of his colleagues. Mario’s life takes an unexpected turn when Margherita Lenzi (Grace Kicaj) arrives at the asylum. She is a beautiful young heiress locked up in the hospital by her husband against her will, but is she really as crazy as they say, or simply the victim of a violent man? Mario begins a gripping search for the truth.
Grace Kicaj
Marta Bulgherini
I looked up Marta Bulgherini to see whether she was some kind of world-class gymnast, but she turned out to be an actress, albeit one who obviously possesses what Liam Neeson impersonators would call “a very particular set of skills”
New Icelandic mini-series
Ex-Danish spy Ditte Jensen retires to Reykjavik for a quiet life but can’t ignore her warrior instincts. She turns her apartment building into a battleground, helping neighbors solve problems her way – whether they like it or not.
It’s one of the craziest nude scenes you’ll ever see. If Trine were young and hot, I’d close the Scene of the Year balloting now, and roll all future scenes into 2027. Trine has always been willing to do anything necessary for a role, and she obviously is not intending to coast through her 50s by settling into granny roles in dignified, staid costume dramas.
Where is the American remake?
Video here. I let the scene run past the nudity until the end of the series, because it kind of tugged at my heartstrings. If you just want the nudity, there is no more after they set off the tear gas containers.
This is a pretty great series. The lead character is unique – and totally nuts. Imagine if your neighbor were a cross between Pippi Longstocking and Charles Bronson, always interfering unsolicited, always overreacting, and ready to go to any extreme against anything that offends her or that she deems unjust – and also against cats. She’s a Karen, a total pain in the ass, and the neighbor from hell, but she also fights for her neighbors against higher powers, and loves their children. Their cats? Not so much.
I read that they might figure out how to do a season two, despite the ending you see here. If they do, I am all in.
Mr. Nip-Slip says:
Discovered a Dakota Johnson nipple slip in the video of her recent Calvin Klein campaign!
A couple of great Lourdes Leon see-through moments at Paris Fashion Week! She’s showing full tit at the Ottolinger show and flashing her ass at the Demeulemeester show!
Full gallery, including the butt shot, here.
This is Maggie Gyllenhaal’s gonzo 1930s take on The Bride of Frankenstein. Maggie wrote and directed.
The quality of this telesynch copy is mediocre, so I can’t tell whether her bra was a see-thru. She did have a sex scene with Christian Bale where they were theoretically nipple-to-nipple (see below), for what it’s worth. I think it is really Jessie. Both Bale and Buckley went so far over-the-top in this film that they came full circle, finishing back below the top again.
The critic’s scores finish somewhere in the middle, making it appear to be a film that people are indifferent to.
Metacritic: 55
Tomato Meter: 57%
Popcorn Meter: 72%
IMDb: 5.9
Those are the kinds of scores you might expect from a safe, middling rom-com. That apparent mediocrity is misleading. It is not safe, and people were not indifferent. Many critics loved it, many hated it. It’s that kind of movie. It’s just way out there, a work of wild imagination, and not a little unhinged.
