This is the fourth and final installment of Aesthete’s series about Chelsea’s shows.

The previous episodes can be found here
All of the episodes of “Chelsea” and “Chelsea Does” are from either 2016 or 2017.
Uncle Scoopy's world-weary musings about naked celebrities, sports, humor and other important, manly things.
Some examples, according to the list:
Beef broccoli – can’t be Chinese. There was no broccoli in China before 1980, but the dish has been in America since the 1920s.
Fortune cookies, invented in California, are sold in China as “American cookies”
This is where is usually give a brief description of the film, but in this case I think you already have the idea that it’s not a sensitive interpretation of a Jane Austen masterpiece.
It’s rated 2.4 at IMDb, lower than Gigli, Battlefield Earth and Cats.
Speaking of cocaine werewolves, as we so often do, whatever happened to the werewolf film that Robert Downey was working on?
The third installment of Aesthete’s series on the nudity in Chelsea’s show(s). In this case, it’s just nudity in photographs

The two previous installments in this series featured “live” nudity, as opposed to photos.
Chelsea topless in s1e39
Chelsea topless in s1e82
French drama. A student befriends a homeless woman.
Johnny Moronic reviewed it as follows:
It’s more 90s with another French movie, the 1991 postmodern comedy/drama Merci la Vie, an incredibly odd movie about two lonely women Camille (Charlotte Gainsbourg) and Joëlle (Anouk Grinberg) who meet and decide to become friends and end up having little adventures together that begin with just picking up men. Once Joëlle is ‘discovered’ and becomes an actress, the adventures get darker and more surreal. Absolutely baffling stuff, chock full of big name French stars in cameos and a plot so impenetrable it’s impossible to describe. The movie gets so dark that it concludes with a horrifying Nazi death train plot which I have no idea how it even got there. Definitely unique.

Johnny Moronic’s film clips can be found here.