Category: Beauty

All collages and videos from Johnny Moronic

Metal Skin (1994) is a gritty Australian drama written and directed by Geoffrey Wright. The film follows four disillusioned youths — including Tara Morice as the desperate character Savina — as they navigate their bleak, blue-collar lives in Melbourne through fast cars, obsession, and dangerous relationships.

As far as I know, nobody calls Tara Morice the space cowboy or the gangster of love, but some people do call her Morice.

Johnny’s videos are here.

Videos

According to Nudografia, these are her only nude scenes.

Józefina Siwko and others in episode 1 of this series (and info about the series).

Lea Michele making a fun lingerie video with her girlfriends and her nipple is visible!

As nip-slips go, it is not a barn-burner, but the lingerie video is kinda fun.

Jodie Comer showing nipple and underwear as she attends The Death Of Robin Hood world premiere wearing a see through lace dress in New York City on June 10, 2026!

Teaser:

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Johnny Moronic just did a new HD clip of Barbara Hershey in a 1991 film called Paris Trout. I thought I was a major Hershey fan, but I don’t remember this Showtime film at all. I lived overseas from 1990 to 1994, and I don’t think I was anywhere where Showtime was available.

Set in a small Georgia town in 1949, the film stars furtive and squirrelly Dennis Hopper as the Trout of the title, an irredeemable monster who beats a 12-year-old black girl (14 in the book) with brass knuckles, shoots her several times as the girl’s mother watches in horror, then shoots the mother as well. The homicidal outburst is prompted by an $800 debt Trout imagines he is owed by the man of the house. The girl, already bitten by a baldly symbolic rabid fox in an earlier scene, dies. But Trout has only begun. He nearly drowns his wife by pushing her underwater in the bathtub and then, a few minutes later, rapes her with a soda bottle in the back room of his general store. Before the film is over, he has blown a couple more people’s brains out, matter-of-factly and remorselessly.

It’s a light-hearted, popcorn film for the whole family.

The Manson family.

It’s rated 6.4 at IMDb, which is very respectable, but I don’t think I would watch it if it were rated 10.0. It’s just not my idea of a good way to pass the time.

Anyway, I was inspired to cover her career.

Some quick notes:

1) I don’t know whether there is any actual topless nudity from Barbara Hershey in The Entity. The full-body frontal shots were done by combination of body double and pneumatic devices, and the face/breast close-ups feature fake, pneumatic breasts. It’s possible that there are some frames that show her real breasts, but I don’t know that for a fact. I think the butt is hers. Maybe.

2) Barbara did not quite make our list of women who have done nudity over a span of at least 35 years, but she came close at 30 years. She could top the list with one more nude scene, but that seems unlikely since her last nude scene was 27 years ago. But one never knows. After all, Glenn Close joined the list last year at age 77.

3) She breast-fed her baby on the Dick Cavett Show, but the cameraman pulled away and Cavett cut to a commercial. The posed shot below demonstrates what the studio audience saw, although it is not from the set.

4) Those are not prosthetics in Love Comes Quietly. She was pregnant with Free Carradine, who is now known as Tom Carradine.

5) In the Playboy pictorial for Boxcar Bertha, these was lower frontal exposure. (See the comments section.)

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I haven’t thought about her in years. She looks good at 43.

After a couple of years of inactivity, she has suddenly re-emerged in a new TV film and a new series.

There’s not much to it. Two sexy girls go on a bank robbing binge. It’s a typical drive-in film from the seventies, a weak, corny film, but with quite a bit of nudity and a great poster!

Claudia’s real name was “Mimi” Chesterton, and she grew up in Milwaukee. She had a busy career in Playboy magazines and drive-in flicks, but died tragically young (29) in a road accident on the PCH near Malibu. Here is her obit.

Mini-bio from IMDb:

Claudia took a job as a receptionist at the offices of Playboy magazine in September 1968. Photographer Pompeo Posar asked her to test, and with a potential $5,000 check at stake — enough for a ticket to Hollywood — she agreed. She eventually appeared as a Playmate in November 1969, and later as 1970 Playmate of the Year. Re-naming herself Claudia Jennings to avoid family embarrassment due to posing in the nude, she became the most perennially popular Playmate of the 1970s, as well as the number one female star of “Drive-In” movies

Videos

From the comment section:

I’m the uploader for the first episode. ——– Here is the link for the second episode. Here, Márkus Luca portrays Monique Covet.

Relating to the first episode:

Zsanett Egerhazy never did a boy-girl scene, only lesbian or solo. I think Bernadett Szűcs portrays Deborah Wells.

He’s correcting my ID, not of the actress, but of the character she was playing. Since the character is called Zsanett, I assumed (incorrectly, it seems) that it was supposed to be pornstar Zsanett Egerhazy.

A thoughtful sci-fi film from Spain, but in English.

In a near-future world, a lonely, physically challenged man purchases a companion robot to escape his isolation, but his own insecurities and a jealous brother threaten his chances of ever finding love.

While that plot description is not inaccurate, it is misleading. It leads you to think that the film is either an exploitational thriller or a weird form of rom-com. It is neither. Its characters are nuanced, and it is a thoughtful look at situations that may face us in the very near future.

The world is full of lonely, isolated and insecure people who have never met that “soul-mate” they have dreamed of. Enter the AI chatbots. They are programmed to please us, and to make entertaining and insightful conversation about topics that interest us. Those forms of stimulation are not easy to get from a human companion, so even in today’s world, people think they are in love with a chatbot, even though it is an artificial consciousness with no corporeal presence. I understand that. I often have “conversations” with the AI programs, and I can easily forget, if only momentarily, that they are not real.

Now place yourself into the near future, with the AI chatbots have been exponentially improved, and are available in the incarnation of a completely lifelike woman of spectacular beauty. Would men have sex with them? We know that the answer to that is “yes,” because people now have sex with various “dolls” and devices that are not at all lifelike. The greater question is whether people would “fall in love” with them and prefer them to a human companion. The answer to that is probably “yes” as well – not for every human, but for a vast number, as evidenced by the way some people bond with chatbots today. The assumption is that the human-AI bond will become even stronger when AI’s are both more sophisticated than today, and capable of inhabiting a lifelike and beautiful human form.

That is the situation this film deals with, and takes one step further. What happens when the AI presence, like any form of artificial intelligence, continues to learn from its interactions with humans? Will it continue its mission to serve humans, or will it develop its identity and learn to seek what pleases itself rather than its “parents,” just as real humans inevitably do.

The film demonstrates that, given a good premise, professional photography and editing, and a reasonably competent cast, one can create a pretty good film with almost no budget.

On the nudity front, Agathe Levi is so beautiful that it’s hard so convince oneself that she is, in fact, just a normal human actress, rather than a robot designed to be perfect.

Videos

Julianne Hough nipple slip as she poses in a revealing dress on the red carpet at The 79th Annual Tony Awards in New York City on June 7, 2026!

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