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Back in the early 70s, an architect named Bernard Judge fell under the spell of Marlon Brando, who dreamt of building an environmentally friendly habitat on an uninhabited island that was virtually inaccessible. The two men spent years and millions of dollars on it. It was so costly that Brando had to return to the Hollywood he hated in order to finance his dream. At one time he was entitled to 10% of The Godfather, based upon his back-end deal, but he sold his interest to raise more for his fanciful island project.
The Hollywood money eventually ran out, so Brando found another investor, one who required so many compromises that architect Judge finally walked away from a project on which he had spent six years of his life. Brando completed the project without him, but got little chance to enjoy it because it was wiped out by a once-in-a-generation storm, something Judge had told him was likely in the location Brando had insisted on.
Judge eventually wrote a book about those years, “Waltzing with Brando, Planning a Paradise in Tahiti.” The book is an illustrated narrative about the dynamics of their architect/client collaboration on an attempt to live in nature without despoiling the local culture, the island’s ecology, or the surrounding marine life. That book is the basis of this film.
The film is more about the dreamers than the dream. It is practically a love poem to Marlon Brando, the supremely talented, supremely eccentric, self-indulgent man whose championship of civil rights and the environment was far more important to him than acting. (He used his Oscar as a doorstop.) The author of this cinema love sonnet is Billy Zane, who produced the film and played Brando.
Does that sound to you like a project doomed to ridicule? Billy Zane playing Brando?
You’re wrong.
Billy didn’t just play Brando, he was Brando. If Marlon himself, as great an actor as he was, could come back to life at that age, he could not do as good a job as Zane, because he would screw it up with some of his wild, overly stylized ideas. I swear to you that you will think they used actual footage of Brando in this film, but they didn’t. That’s always Billy, looking exactly like Brando, sounding exactly like him, capturing his charm, his smile, and his eccentricities to perfection, and even re-creating some of his greatest movie scenes so well that you can’t tell you’re looking at a copy.
IMDb: 6.4
Rotten Tomatoes: 63% on the Tomatometer, but 93% on the Popcorn Meter.
I can see what some critics caviled about. I’m not unaware that the film spends a lot of time on stock footage of waterfalls, exotic lagoons, young men spearing fish, old men playing ukuleles, and women dancing in grass skirts. I don’t care. I’m with the popcorn eaters on this one. I think the movie is ah-ight. It’s basically a fascinating story; the film contains a lot of humor; and I don’t mind looking at beautiful waterfalls.
And Billy Zane is dazzling in this role.
I liked the movie enough to buy the glossy paperback book on which it is based. Best five bucks I spent all year. It’s filled with photographs, gossip, and every detail you can imagine about this quixotic project.
Camille Razat
Camille Razat and others
Alaina Huffman
Sofia Masson
Razat (far left) and Huffman
Razat (again far left) and Huffman (second from left) and others
Not sure
Camille Razat has appeared her many times before.
Camille, being French, has a significant presence on Charlie’s site as well, including full-frontal nudity.
Alaina Huffman did one distant nude scene a quarter-century ago in a film called Pendulum. (My review):

I have simultaneously loved and hated Brando. He could both dissolve away into a character and still leave a big giant ego impression. Apocalypse Now would be an example and a parallel to your remarks concerning reviews that think things drag, when in fact they are painting a picture that those with patience appreciate. Last Tango was painful to watch at times, but stunning. It also resulted in his costar moving away from acting in short order.
One question about Billy Zane. Was Eric Roberts unavailable?
I will be seeking this one out to watch.
Thanks.
PR
No no no no no no…. That was not Billy Zane playing Marlon Brando. IT IS MARLON BRANDO!!!!!! He used Billy Zane as his avatar to be in the film.
Nothing will ever top Chris Elliott’s portrayal of Brando in a running gag on Late Night With David Letterman show in the 80’s. He made frequent references to his island. There is a compilation video on YouTube
I still occasionally do the bananas dance for my girlfriend, even though she has never requested it, and we never have any bananas in the house.
“Bananas!”
The only tell-tale sign of Billy Zane’s involvement is the presence of a water disaster.
Ah, I see the actual IMDb date is 2024. Too bad, I was thinking that the Oscars love nothing better than an actor playing another actor or performer.
I’ve heard the movie isn’t bad, & despite his ridiculous Titanic role, Zane can be a good actor when he wants (The Believer with Ryan Gosling) – nudity will be a bonus
Totally agree. Billy has had his decent showings. Much of that comes down to budget and directing. Looking at the pics on imdb, I may have to agree with thevoid99.
“nudity will be a bonus”. Not referring to Billy, right? 😎
PR
I enjoyed the film.
Billy has always been able to bring positive assets to a film when he is cast properly. In this case, he did some incredible mimicry. As I noted in the post, you’ll have several moments in the film when you will think they used footage of Marlon, but in each case it was Billy.
IIRC, as Alaina Kalanj in Pendulum. In the third of the Various shots, Alaina’s the one in front, to the left of the knuckles.
Currently a 6.4 at IMDb but 93% on the popcorn meter.