This is a well-regarded Spanish horror film lensed in Madrid and La Plata, Argentina,
IMDb: 6.0
Tomatometer: 75%
A group of young people inadvertently resurrect a seemingly invisible evil.
Yes, the evil is invisible, as evil is wont to be, being an abstract concept.
Kidding aside, the idea is that there is a mysterious evil entity that can only be seen through a camera lens. You can get the idea from the second picture below.
There isn’t much nudity, but this movie might be worthwhile for genre fans. I didn’t have time to watch the entire film, but I watched enough to be impressed with the cinematography, and the reviews were pretty good.
Each episode has a somewhat different feel, partly because of the use of image technology from different eras – the omnipresent phones and laptops of the Andrea section (with its implicit commentary about a generation’s unshakeable screen addiction), the older camcorder textures of Camila’s story.
Sometimes our P.O.V. is the camera of the principals, but the “omniscient narrator” scenes seem to have been shot on some ultra-HD cameras. This director, editor and cinematographer know what they’re doing. (The latter two are women, by the way, as are the main characters.)